Innovation is alive and well in the music business. You can virtually attend a recital of Beethoven, Eisler, Berg and Mahler with Dietrich Henschel, baritone and Arno Waschk streamed live from the Teldex Studio Berlin on May 10 at 14:00, CET. Get your ticket here. The event is presented by Stage at Home, a collaboration between OVALmedia and Teldex Studio.
Baritone Dietrich Henschel brings his unique interpretation of Mahler Das Knaben Wunderhorn to the Barbican on April 15. Collaborating with the BBC Symphony Orchestra under Alexander Vedernikov in Detlev Glanert’s orchestration he will be both starring in Clara Pons’ film version as well as performing the song cycle on stage. More information about the project and tour here.
Two CPM artists will feature on BBC Radio 3’s CD Review programme on January 25. Dietrich Henschel’s long-awaited disc of the complete Mahler Wunderhorn songs with Boris Berezovsky is reviewed – see the fascinating introductory video. In addition, Rameau: Le Grand Theatre de L’amour, featuring Samuel Boden with soprano Sabine Devieilhe, Les Ambassadeurs and Alexis Kossenko (director) is Disc of the Week.
Dietrich Henschel and Steven Osborne, Queen’s Hall, Edinburgh, Star rating: * * * * *
LOST love, crumbling faith and existential despair: German baritone Dietrich Henschel’s EIF recital was a pretty dark affair.
But it was riveting from start to finish, his compelling and often highly theatrical interpretations partnered superbly by the subtle yet commanding playing of Edinburgh-born pianist Steven Osborne.Full review in The Scotsman. Picture at http://flic.kr/p/cZCB7C , last chance to hear the recital on Iplayer at http://www.bbc.co.uk/radio/player/b01m5krl
“His prowess as an interpreter, by which I mean precisely his ability to get below the surface of a song and right into its soul, is extraordinary. And his ability to characterise a song through sheer acting as much as singing resulted yesterday, at his Queen’s Hall concert with pianist Steven Osborne, in a recital of consummate intelligence, fuelled by a voice where beauty of sound is almost a secondary consideration to penetrating and revealing the nuances and implications of a text.” Full 5 star review at