Tenor Bradley Smith appears at the Cheltenham Festival on July 4 in Awakening Shadow, a chamber opera fusing original scenes by operatic composer Luke Styles with a complete performance of Benjamin Britten’s five Canticles. The work is staged by Richard Williams and George Vass conducts his Nova Music Ensemble who are co-producers with the Presteigne Festival where the work will be performed on August 26.
Tenor Bradley Smith sings Evangelist in the St John Passion with Ex Cathedra and Jeffrey Skidmore streaming on the Idagio Global Concert Hall platform from May 9 to June 6. Filmed at Symphony Hall, Birmingham the event is a liturgical reconstruction which includes congregational hymns, Alec Roth Verlass uns nicht and Handl Ecce quomodo moritur justus.
Tenors Guy Cutting and Bradley Smith appear in the Oxford Bach Soloists Virtual Easter Festival conducted by Tom Hammond-Davies. Filmed in stunning Oxford venues Bradley and Guy share the tenor arias in the St John Passion with Guy also singing tenor solos in the Bach Cantata Der Himmel lacht! Die Erde jubilieret BWV31. Thomas Guthrie has directed a socially-distanced but compelling and atmospheric celebration of Bach’s works. Available online from April 2 until April 30.
Mezzo Kate Howden sings the title role of Isouard Cendrillon alongside tenor Bradley Smith as The Prince and baritone Nicholas Merryweather as Alidor for Bampton Classical Opera. There are performances on July 20 & 21 – Bampton, Oxfordshire; August 27 – Westonbirt, Gloucestershire & September 18 – St John’s Smith Square, London with Harry Sever conducting Jeremy Gray’s production.
Tenor Bradley Smith makes his English National Opera début in an ENO Studio Live production as Damon Acis and Galatea directed by Sarah Tipple and conducted by Nichols Ansdell-Evans. Performances take place at Lilian Baylis House, London on June 9, 11, 12, 13, 15 & 16.
“… Bradley Smith sheer perfection as Albert Herring … “ Mark Ronan
“Bradley Smith’s interpretation is a masterly vocal and acted portrayal.” Seen & Heard International
“At its heart is Bradley Smith — warmly believable as the timid Albert … he gilds a character comedy with some really excellent singing, giving Britten’s satire the weight of something real and human.” The Spectator
“Smith’s clear, conversational tenor projected an integrity that made his confusion touching and his final transformation wholly life affirming.” The Arts Desk