Tenors Guy Cutting and Bradley Smith appear in the Oxford Bach Soloists Virtual Easter Festival conducted by Tom Hammond-Davies. Filmed in stunning Oxford venues Bradley and Guy share the tenor arias in the St John Passion with Guy also singing tenor solos in the Bach Cantata Der Himmel lacht! Die Erde jubilieret BWV31. Thomas Guthrie has directed a socially-distanced but compelling and atmospheric celebration of Bach’s works. Available online from April 2 until April 30.
Tenor Bradley Smith returns to the Innsbruck Festival of Early Music singing Arsete in Cesti La Dori at the Tyrolean State Theatre on August 24 & 26. The staging is by Stefano Vizioli’s with Ottavio Dantone conducting Accademia Bizantina
Tenor Bradley Smith makes his German opera début creating the role of Carl Denham in The True Story of King Kong by Jeffrey Ching for Theater Magdeburg. Performances on March 16, 24, 29, April 20, May 12 & 25. HURRY TO SKULL ISLAND. STOP. BIG PRIZE AHEAD. STOP. BRING BOMBS. DENHAM
Tenor Bradley Smith makes his début with the Odense Symphony Orchestra / Stephen Layton singing the Bach Christmas Oratorio between December 13 to 15 in Odense, Svendborg and Nyborg. Back in the UK he joins The Hanover Band and Andrew Arthur for a Messiah tour until December 22.
Mezzo Kate Howden sings the title role of Isouard Cendrillon alongside tenor Bradley Smith as The Prince and baritone Nicholas Merryweather as Alidor for Bampton Classical Opera. There are performances on July 20 & 21 – Bampton, Oxfordshire; August 27 – Westonbirt, Gloucestershire & September 18 – St John’s Smith Square, London with Harry Sever conducting Jeremy Gray’s production.
Tenor Bradley Smith makes his English National Opera début in an ENO Studio Live production as Damon Acis and Galatea directed by Sarah Tipple and conducted by Nichols Ansdell-Evans. Performances take place at Lilian Baylis House, London on June 9, 11, 12, 13, 15 & 16.
“… Bradley Smith sheer perfection as Albert Herring … “ Mark Ronan
“Bradley Smith’s interpretation is a masterly vocal and acted portrayal.” Seen & Heard International
“At its heart is Bradley Smith — warmly believable as the timid Albert … he gilds a character comedy with some really excellent singing, giving Britten’s satire the weight of something real and human.” The Spectator
“Smith’s clear, conversational tenor projected an integrity that made his confusion touching and his final transformation wholly life affirming.” The Arts Desk
Both making their festival debuts Bradley Smith sings the title role of Albert Herring and Nicholas Merryweather, Mr Gedge. Francis Matthews’ production is conducted by Justin Doyle with performances on July 8, 12, 15, 19 & 22 at the Buxton International Festival.
Tenor Bradley Smith works with The English Concert and Harry Bicket for the first time singing Odoardo Ariodante. He and the stellar cast will be appearing at Theater an der Wien, Vienna on May 12; Elbphilharmonie, Hamburg on May 14; The Barbican, London on May 16 and the Théâtre des Champs Elysées on May 18. Bradley then starts rehearsals for the title role of Albert Herring at the Buxton International Festival.
Tenor Bradley Smith sings Lelio in Cesti’s Le Nozze in Sogno at the Innsbruck Festival on August 19, 21 & 22 and in Salzburg on August 25 & 26. The production by Alessio Pizzech is conducted by Enrico Onofri.
