April’s Opera magazine cover feature adds to the glowing reviews for director Polly Graham’s production of Le Vin herbé. “Polly Graham’s stark but brilliant new staging of the work” 5* The Guardian, 5* The Independent. 4* The Telegraph. See the trailer and performance details here.
February 14, 2017
Director Polly Graham has been nominated in the Newcomer category of the 2017 International Opera Awards. The winners will be announced at the awards ceremony on May 7 at The London Coliseum. Polly Graham’s production of Frank Martin Le Vin Herbé for Welsh National Opera opens at the Wales Millennium Centre on February 16.
February 5, 2017
February 3, 2017
Director Polly Graham makes her main stage Welsh National Opera début with a rare production of Frank Martin Le Vin Herbé . Opening at the Wales Millenium Centre, Cardiff on February 16 there are further performances on March 21 – Milton Keynes; March 28 – Bristol; April 4 – Llandudno; April 18 – Plymouth and April 25 – Southampton. More about the production
February 2, 2017
January 11, 2017
Director Polly Graham is featured as one of The Guardian’s Top 20 Talents set to take 2017 by storm in Unmissable Culture 2017. Her production of Frank Martin Le Vin Herbé marks her main stage début for Welsh National Opera and opens in Cardiff on February 16.
December 13, 2016
Enjoy something seasonal with Nicholas Kraemer and the Gothenburg Symphony Orchestra and Choir.
December 8, 2016
Glowing press for mezzo Kate Howden’s performance of Turnage Twice through the heart in Shadwell Opera’s double bill with Erwartung: “Howden was exceptional, the understated gentleness of her performance provocative in the moral friction it offered. Hers is an even, impeccably produced voice, and the beauty and control she brought to her fractured musings offered a very different portrait of trauma to Pierard’s” Opera, December 2016
December 5, 2016
“There is no finer Haydn conductor before the public and Kraemer, likewise, infused Handel’s music with a delightful lilt and infectious energy … Leading stylishly from the harpsichord, Kraemer elicited a performance with a consistent, engaging smile much like the ebullient English conductor himself” Chicago Classical Review. “The brisk British maestro happens to be one of today’s most respectable Handel interpreters … His Handelfest at Symphony Center on Thursday night was another reminder that he can be as lively and stylistically savvy when playing baroque music with modern symphony orchestras as he is with period-instrument ensembles.” Chicago Tribune